Exhibitions

Partnering with Indigenous Youth Roots (formerly known as Canadian Roots Exchange), InterAccess is thrilled to present Digital Constellations: Making Our Own Seat at the Table�an official selection feature at the 2023 imagineNATIVE Film + Media Arts Festival. Curated by Amanda Amour-Lynx.

Presented in honour of InterAccess's 40th anniversary this exhibition celebrates Telidon, the Canadian-made technology that inspired the artists who founded InterAccess in 1983.

VF23 flagship exhibition, shadow work, engages the formal and informal and mundane and arcane ways that classification systems attempt to contain the messy realities of our lives and shape our conditions.

VibraFusionLab's haptic technology takes on an interactive hybrid-online venue as viewers experience online voices through a ten channel vibrotactile wall.

A collection of immersive video works, "Wayfinding and Fieldtrips", by the Library Research Collective, reimagining data from a 10km canoe trip of Black Creek through the Humber River.

The inaugural exhibition of InterAcccess's IA 360°, platforming a variety of artists exploring the full capabilities of the system.

After five years in the making, InterAccess is proud to launch Toronto's only artist accessible immersive 360° projection environment IA 360°. The IA 360° transforms InterAccess's gallery space, encouraging artists to leverage sensory intensity for critical thinking. In celebration, InterAccess has programmed events running from March to May 2023 to provide a broad selection of entry points for artists, from exhibition and performance opportunities to critical artist panels and roundtables.

This exhibition, curated by IA Current curator Tristan Sauer, explores the dreams and simulations of the computer age, and how they attempt to imagine new methods of digital co-existence, with the aim of envisioning more equitable, diverse, and safe futures online.

A video installation curated by Lorna Mills, screened on the doors of Artscape Wychwood Barns as part of the City of Toronto's BigArtTO program.

Pixel Plunder© is seven web-specific projects that range from a "sanctioned" appropriation of the Tate Modern's website by Harwood from the Mongrel Collective; 0100101110101101.ORG's Life Sharing, which allows the viewer complete entry into the artist's computer and system folder; Duchampian Digital Readymades harvested through net search engines by MTAA Collective; Joanna Briggs' Haikoo, which parallels and challenges the structure of web-based information by borrowing from and mimicking the popular search engine Yahoo; Negativland's Pastor Dick's Mailbox

Curated by Rea McNamara, Vector Festival's flagship exhibition dis-ease considers post-digital performativity and intimacies through a four-week mail art programme.

A virtual exhibition curated by Diasporic Futurisms (Vanessa Godden & Adrienne Matheuszik) that brings together digital culture, sci fi, and fantasy aesthetics to envision alternate realities.

A multisite public art exhibition showcasing GIF artworks that use abstraction & repetition to simulate the hypotic effects of social media scrolling.

A group exhibition curated by Megan MacLaurin exploring the emergence of biomimicry within new media arts practice and the relationship of nonhuman knowledges to place, history, and a more sustainable future.

InterAccess presents a solo exhibition by Jawa El Khash, winner of the 2019 InterAccess Media Arts Prize

Tasman Richardson's installation work Janus layers Atari 2600 glitch imagery to explore temporal order, failure, and transformation.

Vector Festival's 2019 flagship exhibition exploring outlooks on digital culture and the environment that oscillate between the playful and the critical, the hopeful and the dystopian.

A video installation of Milumbe Haimbe's animation, African Space Dream

A GIF artwork created using a Generative Adversarial Network trained on Lawren Harris paintings

An online exhibition of digital artworks that imagine worlds outside of humanity's follies