Archive for September, 2008

More volts!

Thursday, September 25th, 2008

The highest voltage most people are likely to encounter is the 117 volts AC from the wall socket.  While it can knock you across the room, or even kill you, it’s not much fun to play with. It won’t even jump across an air gap.  To make decent sparks, you need voltages in the thousands of volts. (The dielectric strength of air is about 30kV/cm) You can generate surprising voltages just by shuffling your feet across a carpet- the shocks that you get from your fingers in the winter are a result of your body being raised to a potential of a few thousand volts! You’re not likely to impress anyone much by doing that, however. You need to build something cool.  The easiest high voltage project is probably the Jacob’s Ladder. It works on a simple principle- the high voltage strips electrons off the gasses in the air, ionizing it, which makes it more conductive. The heat of the arc pushes the ionized air up the widening gap, and so the arc is able to follow.  A neon sign transformer is the best way to make a Jacob’s ladder-you want one of the old ones, which are actual transformers, not the newer solid state ones. They can be tricky to find, unless you want to spring for a new one from a sign supplier. Another possibility is a oil ignition transformer-as more houses convert to gas heating, these show up now and again.   Another, more challenging project is a Tesla coil.  This is essentially a tuned air-gap transformer that can produce some truly stunning voltages.  Care must be taken with the design to ensure good results- the tuning can be somewhat tricky. You’ll also need high-voltage capacitors, which can be as simple as aluminum foil glued to sheets of glass!  Very large Tesla coils have been made; you might want to check with your neighbours before firing up something like this.  When I was in high school, we had one that was about 6 feet high, turning it on was always a special event.
A simpler, but also impressive project is a Marx Generator.This uses a series of capacitors to step up a high voltage to an insanely high voltage. Here’s a plan to build a small one. Here’s a slightly bigger one. And here’s a really big one.

As fun as all this is, remember that all of these projects are quite capable of killing you, and should not be undertaken lightly. You are responsible for your own actions.

High voltage does not always have the good manners to stay in a wire- even if you’re not grounded, the voltage may decide to take a path through you just to see where it goes.  Don’t work alone. Be careful to always work with one hand behind your back (to minimize the chance of the current going through your heart), use “dead man” switches, make sure capacitors are completely discharged before touching them, and watch out for ozone, especially if you are asthmatic.

Tesla Coil group on Flickr

Mike’s Electric Stuff

Powerlabs High Voltage Research

Teslathon 2008

Potent Web Art

Tuesday, September 23rd, 2008

Here are some of my favourite pieces of online art in terms of creativity and execution:

Zoomquilt2

is a collaborative art project based around creating a seamless continually zooming image of a fantastical environment. You have to see it to fully understand…

Ecodazoo.com

is Roxik’s latest masterpiece- a wonderful organic virtual tree with many bizarre animal characters that live in it.

Amanita Design

Are producing some really beautiful online worlds. Simple interactivity coupled with detailed hand crafted environments and a sprinkle of humour is a powerful formula which Amanita has refined again and again. I highly recommend checking out the concept art for their upcoming game Machinarium.

Levitated Design & Code

Open source experiments into artificial life, and biomimetic programming which embody a consistent aesthetic flavour.

National Digital Media Day This Thursday!!

Tuesday, September 23rd, 2008

National Digital Media Day
Thursday September 25th @ BelleVue Square in Kensington
7pm – 11pm

On September 25th, thousands of interactive digital media professionals across the Nation will participate in events to voice their vision for the future of Canada’s creative economy. These events range from installations to conferences, and all revolve around strengthening Canada’s digital media sector amidst growing global competitiveness and the imminent federal election.

In Honor of National Digital Media Day, the Canadian Film Centre’s Media Lab has joined up with other local Professionals to spread the word, and we are hosting an impromptu picnic in BelleVue Square [parkette in Kensington Market] this Thursday from 7-11pm. We’ll bring some lemonade and snacks as well as some of our most recent projects including SKRTCH based on GRL’s L.A.S.E.R. Tag and a project so new we haven’t given it a name yet which involves Skype and a megaphone.

We invite you to join in the discussion and to bring your own projects!
(there is Wifi in the park.)

For more information:

National Digital Media Day: Facebook group
http://www.new.facebook.com/group.php?gid=8657402681
National Digital Media Day: Networking site
http://ndmd08.ning.com/

CALL FOR SUBMISSIONS | VIVO Media Arts Centre | Signal & Noise Media

Tuesday, September 23rd, 2008

Festival: April 22-26 2009
Submission Deadline: October 15 2008
Categories: Experimental and artistic media productions.
Requirements: See website
Awards: Non-competitive, artist fees are paid
Entry fees: None
Administrative address: VIVO Media Arts Centre, 1965 Main Street,
Vancouver, BC , Canada V5T 3C1
Tel: +1 604 872 8337
Email address: festival@signalandnoise.ca
Website: http://www.signalandnoise.ca

This year there is no theme, we just want to know what artists are
making. Send us your electronic arts, video, audio, new media, film,
net, av performance — analogue and digital experiments, site specific
ambient interiors and exterior, thought experiments, new genres,
relational activities.

Toronto [new music] Marathon

Friday, September 19th, 2008

Toronto [new music] Marathon.

presented by CONTACT contemporary music

Transcending stylistic boundaries while bending and blending genres, CONTACT presents the music of our time.
www.contactcontemporarymusic.ca

New Adventures in Sound Art, Allison Cameron, CONTACT, The Lollipop People, Rob’s Collision, Book of Gnomes, IO Media, Digital Prowess, Tidal Pool, Bitchin, Shrimp Cocktail

Performing the music of: Philip Glass, David Lang, Frederick Rzewski
Steve Reich, Claude Vivier, John Cage, Karlhein Stockhausen, and many more

Originally from Vague Terrain by Neil Wiernik
reBlogged by InterAccess to Art – Local Events

Vague Terrain 11: Curediting

Friday, September 19th, 2008

[Holy Fire: the Electroboutique corner / Photo: Yves Bernard]

Yesterday Vague Terrain launched Vague Terrain 11: Curediting, the newest issue of its digital arts publication. This collection of texts and essays, subtitled Translational Online Work, explores established, emerging and experimental modes of curation of internet and new media-based artwork. The issue provides

a “screenshot” of actual tendencies within curatorial and editorial models: artistic creation and the processes of its re-formulation within different presentational contexts are brought together under the label CUREDITING, a hybrid between the two concepts of “curating” and “editing”.

This combinatory notion of curating/editing is discussed in a range of ventures which span computer assisted curation, email art, online video, social networking and crowdsourced curation as well as questioning the presentation of net art in a number of contexts, within both web-based and traditional spaces of exhibition.

Vague Terrain 11: Curediting was curated by the Vienna-based CONT3XT.NET collective and includes work from: Joasia Krysa, Laboratorio 060 (Lourdes Morales, Javier Toscano, Daniela Wolf), Annette Finnsdottir, Eva Moraga, CRUMB (Beryl Graham and Verina Gfader), Greg. J. Smith & Neil Wiernik, Ela Kagel & Ursula Endlicher, Michelle Kasprzak, Furtherfield (Marc Garrett, Ruth Catlow), Geoff Cox, Jodi.org (Joan Heemskerk, Dirk Paesmans) and Domenico Quaranta.

Originally from Vague Terrain by Greg J. Smith
reBlogged by InterAccess to Cultural Artifacts